On Labor Day I said goodbye to the Welches' Farm.
I sloshed through morning dew as the sun lit the corners of
the wheat stalks on the sacred ground, pulling back the curtain of dawn for me
for the last time. It was smaller
than it had been in my childhood: a smaller driveway circled beside a smaller
white farmhouse surrounded by smaller flowerbeds beside a smaller chicken coop
on the way to a much smaller barn (how could such an enormous fortress have
shrunk that much!). Mrs. Welch
welcomed me inside the hallowed walls of the kitchen where I had ate so many
carbon-copies of the same hearty meals, the only room that had actually grown
larger now that it was missing the table that somehow managed to hold the
members of both of our families of six together while we ate and listened to
Mr. Welch read from the Bible while I drew portraits of him and his silver
beard. Most of the homemade
posters of Bible verses and magazine clippings of beautiful images had been
removed, but a few lingered in corners or taped to boxes of dusty mason jars
filled with no-longer-fresh herbs.
I said goodbye to the basement where we had huddled during a
tornado while my father watched it from the driveway. I said goodbye to the living room where Mrs. Welch’s voice,
both gentle and strong, had recited the litany of prayers every night before
bed. I said goodbye to the piano
room, long since bereaved of its piano, where the Welch sisters and I would
stage performances of The Music Band of God for which we would spend hours
practicing, designing fliers, and distributing tickets to our family members. I said goodbye to the creaky stairs that
I was sure would break and send me careening to the depths beneath one day, but
that certainly never would now. I
said goodbye to the attic that still smelled of honeycomb.
It was hallowed space, space that had become more hallowed
to me the more my own life became unstable, the more people stepped out my world
and the ground under my feet changed from Midwestern farmland to southern clay
to thin tobacco soil to Parisian boulevards to urban sidewalks. Whatever side of the world I might find
myself, I had known that there was still a wholesome farm where the same family was
eating the same bowls of oatmeal for breakfast every morning, and the doors of
that place of peace would open for me when I returned. Now they opened for the last time.
They opened for the last time because Mrs. Welch had attempted
suicide recently, and in her process of healing the doctors discerned that the
farm was not a safe place for her.
They opened for the last time because the children had grown
up and fled the isolation and monotony of their childhood.
They opened for the last time because while the farm held
all the beauty of my childhood memories, it held darkness as well.
And that morning, as I walked on my longer, adult legs
beside Mrs. Welch who sang to welcome the morning, as we fed the cats and
watered the flowers as if it weren’t for the last time, as I looked into her
wise eyes that had discerned some of the dark places of my childhood, I felt
invited to love the dearest place of my childhood in a deeper way than I had
before. In a way I couldn’t have
as a child, I could love the place and see its darkness. I could learn of the pain that walked
up the creaky stairs that still savored of goodness, supporting healing from
the pain while still loving the goodness.
The world resounds with beauty while it trembles with
agony. Let me not ignore the
agony. Let me never forget the
beauty.